Lamplighters Music Theatre, celebrated San Francisco-based curators of the fantastic canon of Gilbert and Sullivan comic operas, has also been part of the thriving Bay Area sing-along scene for years.

Most of us would quickly, but carefully, take our leave of Georgie Burns.

Here's a look at NCTC's new season.

Cirque du Soleil returns to the Bay Area with what seems like an inevitable next iteration of its trademark stagecraft: Crystal: A Breakthrough Ice Experience.

It's hard to imagine that there are many angles left to explore about the Vietnam War, but playwright Qui Nguyen is mining fresh and fertile territory in "Vietgone" at ACT's Strand Theater.

Having worn many hats over the course of his 50-year career in the theater, actor, dancer, director and choreographer Tommy Tune has done it all. On Sunday, March 18, Tune returns to San Francisco for two shows at Feinstein's at the Nikko.

There's a marvelous scene in the second act of Terrence McNally's "It's Only a Play" in which a self-involved wunderkind director has a meltdown, reverting to childhood as he reenacts a scene between his innocently sensitive self and his gruff father.

"Saturday Night" was supposed to be Stephen Sondheim's first Broadway musical, and the 66-year journey to its San Francisco premiere as part of 42nd Street Moon's season has been one filled with bumps and detours along the way.

For decades, comic actress Vicki Lawrence has had an enthusiastic following in the gay community, but she still isn't sure exactly why.

Jeremy Jordan, the multi-talented singer-actor who's shared the screen and stage with newsboys, superheroes and bank robbers, will sing and talk with accompanist and erudite interviewer Seth Rudetsky on March 18 at the Herbst Theatre.

Should the day come when "Office Hour" can't claim to be ripped from today's headlines, it will be a cause for celebration.

There's a whole mess of laughs in John Fisher's "Transitions," a new play that often employs the "stick" approach that Vladimir Putin and ex-wife Lyudmila invoke in their discussions on the dirt they have on Donald Trump.

Like most Americans who voted, John Fisher expected the safe and sane candidate to triumph over the one who had so deliciously torn apart his fellow Republicans during the primaries.

Imagine a man playing a woman, and a woman playing a man, who switch bodies. Sound confusing? Not if you're attending 'Star Trek Live' at the Oasis.